Given a porcupine, some food coloring and 45 minutes, Valerie Brown Eyes’ impossibly deft fingers can create a masterpiece. She is one of the many professional artists specializing in quillwork on Pine Ridge Indian Reservation. The bracelet pictured above was crafted using the wrapping method — with just a thin strip of rawhide and a Tupperware container filled with brightly dyed porcupine quills, Valerie wraps and weaves each two-inch quill around and around. No glue, no staples, no shortcuts. She has been perfecting this ancient art for a lifetime, and still says she’s “far from done” with her artistic journey.
She’s not the only one. Around here, Kevin Poor Bear is known for his charcoal drawings and the occasional piece of beadwork. Award-winning musician Will Peters carves and paints turtles from wood, selling them alongside the stone turtle necklaces created by his wife Lena. And Joe Pulliam, whose intricate watercolor depictions of Lakota life and tradition are often featured in world-class exhibitions, routinely sells paintings and prints around town.
The native art trade is an economically viable way to carry on the vibrant artistic traditions of indigenous populations — that is, when vendors are protected from fraudulent, factory-made items being passed of as native art, a practice that is estimated to drain the market of 80 percent of its value.
